Showing posts with label books. Show all posts
Showing posts with label books. Show all posts

Wednesday, August 19, 2015

That Big News

Yesterday, I promised that I would be able to share big news soon.

It arrived sooner than I expected, and I am able to share it today.

I have signed with an agent!

And not just any agent: I've signed with Julie Crisp, former editorial director at Pan Macmillan’s Tor imprint.  She's worked with some of the best in the business, including Ann Cleeves, Peter F. Hamilton, China Mieville, and Adrian Tchaikovsky.

Here's the official press release, via The Bookseller.

The manuscript she's representing at the moment is At Close of Day, a near-future crossover thriller that "explores the lengths that society will go to in order to find a cure for humanity’s greatest threat – death."

That's the short version. The slightly longer explanation is that ACoD involves neuroscience, hacking, artificial intelligence, cyber warfare, a scientist on the run for her life, and online gaming, and it was inspired by the poetry of Dylan Thomas.

I'm thrilled to be working with Julie on bringing this exciting project to the public. Her editorial background working with some of the biggest names in genre means a tremendous opportunity to bring the best possible book to readers everywhere.

I can't wait to be able to share this with you.

Tuesday, August 18, 2015

Update

A quick note to say that there's big news on the writing front, but I can't explain any more than that right now.  I really really want to, and it's really really exciting--I'm just waiting on all the ink to dry, so look for that announcement soon.

Other news, which I can share, is that I'm working on a new YA manuscript. I don't want to give too much away, but I'll say that it's set in a recognizable, not-too-distant future and explores the question of how society adapts as our megacities drown in rising sea waters. There's drugs and black market organs and sex slavery and spearguns, among other things.

I can't wait to be able to share more on this one, but it's still working itself out on the page.

Stay tuned.

Saturday, June 7, 2014

Reading Update 07 June 2014

A few words on the 13 books I've finished since my last update.

The Enchantress by Michael Scott
This was a fun, light ending to a fun, light series. I was satisfied with how the six-book saga wound up. If you liked the previous books, you'll like this one.
6.75/10

Hollow City by Ransom Riggs
I liked this book a lot.  It's not quite as impactful as the first, as the novelty has worn off and we're clearly being guided toward a third book, but it is just as tense and gloomy and dark as the first, and I'm eagerly awaiting the third.
8.5/10

This is a bowdlerized version of a longer autobiography, pared down for children to read.  It's simple but harrowing.
6.5/10

Find Me by Romily Bernard
This is a good, fast-paced YA hacker novel with a great female protagonist and several interesting plot lines.  I'm glad to know there will be follow-up starring Wick.
8.25/10

Gone Girl by Gillian Flynn
I would have liked this book better if I hadn't had such high expectations from it being the *it* book a couple summers ago.  As it was, I liked the book, but not until about halfway through when the slightly predictable plot twist occurs.  A very fun read with complex characters.
8/10

This was a great exploration of PTSD from the point of view of a child whose father is shipped off to fight in WWI.  Boyne captures the emotional swings of an entire family to show us the real costs of war without ever falling prey to sentimentality.
8.5/10

The Eye of Minds by James Dashner
This was a disappointing book, especially because I so enjoyed his first series, the Maze Runner trilogy.  I could never quite get into the story or the characters.
4/10

This was a fun middle grade retelling of the Rumpelstiltskin story, from his perspective.  Don't expect anything like the book Wicked, but it's easy to fall into this story.
7.75/10

More Than This by Patrick Ness
This was an excellent book: tense, with complex, moving characters, and a compelling plot line. I recommend this book.
9.25/10

Prince of Thorns by Mark Lawrence
If, like me, you've been putting this one off because the uninspiring cover art or the so-so title, shame on us both.  This was a superb book, my favorite new read in a long while.  It's very dark, very tense, very bloody--and Lawrence somehow convinces us to care deeply about a despicable protagonist.  This book sucked me in like no other in the past few months.  Highly recommended.
9.75/10

Chelsea Chelsea Bang Bang by Chelsea Handler
This is Handler doing what she does best: telling compromising stories with hilarity and her signature debonair disregard. A very funny book.
8/10

I've been a fan of Pollan for awhile now, but kept putting this book off, I'm sorry to say.  It's excellent, insightful, and should be required reading for everyone who eats food.  Presumably, that includes you..
9.5/10

King of Thorns by Mark Lawrence
The sequel to Prince of Thorns, this book was equally as tense and dark and compelling.  We keep a similar pattern--cutting back and forth between present and past storylines--all of which are gripping.  Jorg is a little softened here, his bravado tempered somewhat with pain and perhaps a little wisdom.  But he's still the Jorg who wrung out our sympathy and admiration and disgust in the first book. Also highly recommended.
9.5/10

Until next time,

Happy Reading

Tuesday, April 22, 2014

Finished Reading - 22 April - Catching Up

Once again I let a little too much time lapse between updates.  I've been really busy with a new job, and haven't had as much time to read lately, so I've only got 10 books to show for the last 6 weeks.

As with my last catching up post, I'll offer short microreviews for each.

Lirael (The Abhorsen Trilogy) by Garth Nix.
This book, like the first in the trilogy, Sabriel, was a delight to read.  The world of these books feels so comfortable and real, as though you're visiting a place you once knew that has been lost to memory.  Lirael is a great book in its own right, but is not quite on par with the excellent Sabriel.  Still, I very much enjoyed it, and am looking forward to the final book in the trilogy.  I recommend this title.
9/10

Looking for Alaska by John Green
A great book.  I didn't expect to like it as much as I did, particularly after reading The Fault in Our Stars (who could top that book?), but John Green is a master at facing head-on the darkness that a lot of teens experience, and he does it in a way that is honest and unforgiving and completely genuine.  Highly recommended.
9.75/10

Words of Radiance (The Stormlight Archive) by Brandon Sanderson
Another very good book that is slightly over-shadowed by its prequel. All the risky elements I loved about the first book in the series, The Way of Kings, are still here--interludes, interior artwork, very original and alien worldbuilding, and a scope that is beyond epic--and we still follow the same main characters from book one.  I liked that this book was more about Shallan, but Kaladin's storyline was not as interesting and the book's ending left me a little disappointed.  Still, this is a recommended title.
8.25/10

The Ginger Man by J. P. Donleavy
I picked up this book after reading a NYTimes Magazine article on the 87 year old author that really caught my fancy. I can see why the book is still a bestseller 50 years later, and it's mostly stood the test of time.  It actually reminded me a lot, in both pleasant and not so pleasant ways, of reading Malcolm Lowry's Under the Volcano.  I liked this book, but it did little else for me.
6.5/10

Something More Than Night by Ian Tregillis
This book was fascinating in many ways, and I was happy to write a review of it for Strange Horizons. As I wrote there, this is part tongue-in-cheek noir detective story, part ontological examination of the foundations of reality, ever so slightly and amusingly absurd, and dripping with lush, weird descriptions.  It won't be for every reader, but some will find it as wonderful as I did.  I recommend this title.
9/10

The Leader Who Had No Title by Robin Sharma
I read this book because it was given to me by my new boss, who really likes Robin Sharma (he attends his retreats every year).  As I wrote in my Goodreads review, this book basically takes all the favorite tricks of pushy evangelists--saying your first name way too often, grandiose but vague promises, unnecessarily withholding "important" information that is the "key" to "unlocking" something, encouraging the status quo by telling people to always do their best no matter what their position in life is--and then combines it with very poor writing.  For even my low expectations, this was a very disappointing book.
2.0/10

Halftime: Changing Your Game Plan from Success to Significance by Bob Buford
Another book given to me by my new boss.  Despite being outside both target audiences (businesspeople and Christians), I still found it interesting and engaging, with lots of useful lessons.  Buford is a good writer, and if he's only interested in a certain segment of the population, that's his prerogative. I ended up liking this book, despite its being heavy-handed.
6.75/10

How to Win Friends and Influence People by Dale Carnegie
Another book given to me by my new boss, and the best self-improvement book I've read. Carnegie clearly knows what he's talking about, and practices what he preaches. Plus his narrative approach is refreshing after the overload of superlatives and unlocked secrets found among contemporary writers of these types of books.  I recommend this title (and, as of this writing, it's only $2.99 on Kindle).
8.25/10

The Curious Incident of the Dog in the Night-Time by Mark Haddon
The book that brought Asperger's syndrome into the mainstream when it was released back in 2004. This is a great book with an utterly convincing narrator, and his atypical observations and interpretations help us not only understand a little of what people with Asperger's go through, but they also help us see ourselves in surprising new ways.  Highly recommended.
9/10

Monday, March 10, 2014

Finished Reading 10 March 2014 - Catching Up

It's been a little while since I've updated my reading list, and in that time I've finished 16 more books.

To catch up I'll skip my usual short reviews and just give you links, a few words of description, and my rating.  Micro-reviews, in other words.

Mouse Guard: Fall 1152 written and illustrated by David Petersen
Great artwork, a good story.  Like a darker, illustrated Brian Jacques. I enjoyed it, but wanted more story.
6.75/10

Down and Out in the Magic Kingdom by Cory Doctorow
The book that launched Doctorow's career as a novelist. Worth the praise it receives.  Highly enjoyable, quirky, sarcastic, satiric.  Joe Haldeman meets Robert J. Sawyer for the next generation.
8.5/10

Despair by Vladimir Nabokov, revised English edition
Not quite as brilliantly creepy as Lolita, but Nabokov's trademark lush, beautiful English is present.  Not a plot-driven story, but an exploration of character and self-delusion.  Engaging, but not captivating.
8/10

Wonder by R. J. Palacio
Smartly written YA book about a disfigured and often reviled boy, August. Just when I thought it was getting too much, Palacio wisely shifted gears and expanded the story with more viewpoints. Think Rudy goes to private school.
8.25/10

Red Seas Under Red Skies by Scott Lynch
A great follow-up to The Lies of Locke Lamora, if not quite as tightly plotted as the first book. Locke and Jean take a meandering journey that somehow manages to always be fascinating and thrilling. Once again listened to the audio version, brilliantly narrated by the wonderful Michael Page.
9.25/10

Never Let Me Go by Kazuo Ishiguro
Quiet and introspective, like Ishiguro's other novels.  I liked it, but wasn't head over heels like so many others. I suspect much of the buzz in the SFF community is because it's Ishiguro dipping into their backyard, not because the book itself is that great.  I preferred The Remains of the Day.
6.75/10

Guards! Guards! by Terry Pratchett
My second foray into Discworld, after The Colour of Magic (which I previously reviewed here).  I liked this book better.  Reads much less like a Douglas Adams derivative, and Discworld feels more fully realized.  A really funny book.
7.75/10

The Fault in Our Stars by John Green
Loved this book. Go read it now.  Seriously.
9.75/10

The City of Ember: Deluxe Edition by Jeanne DuPrau
A timeless tale.  Great use of archetypal characters and symbols, mixed with a very original idea of a damp, cool city mismanaged by corrupt politicians and surrounded by darkness.  And the lights are going out.
8/10

Inside Out and Back Again by Thanhha Lai
A novel of poems describing a young girl's experience of fleeing the fall of Saigon and growing up a refugee in the American south.  Deep, moving, and a great use of form.
8.25/10

The Bitter Kingdom by Rae Carson
The damsel-in-distress tale is flipped in this plot-driven story which nonetheless manages some great characterization.  A cut above the second book, The Crown of Embers (which I previously reviewed here).  The last (and best) book in a very good trilogy.
8.75/10

Dodger by Terry Pratchett
A YA historical fantasy from Pratchett about a "tosher," a boy who makes a living collecting things that wash down into the Dickensian sewers of 19th C London.  Speaking of  Dickens, he makes an appearance, as does Sweeney Todd, Benjamin Disraeli, Robert Peel, and a host of other notable figures.  A very enjoyable, always fun adventure story.
8.75/10

The Coldest Girl in Coldtown by Holly Black
A surprisingly good addition to the over-saturated YA vampire market. Black provides a refreshing and interesting twist on vampire stories, though it does still fall into the YA female protagonist cliche of the girl fighting against her feelings for the bad boy.  Still, a very creepy book in the best of ways.
7.75/10

Miss Peregrine's Home for Peculiar Children by Ransom Riggs.
Very imaginative use of found photographs to craft a tense, scary story.  Loved the idea for form, and found the concept of "loops" and "peculiars" very fascinating.  The book got off to a slow start, and it wasn't until halfway through that the protagonist became interesting for me, but around that point the book fell into place and started really working.
8.0/10

Flight Behavior by Barbara Kingsolver
Kingsolver is in my opinion one of the greatest living American novelists, but she's often overlooked because her favorite themes of environmentalism and the quiet desperation of women's lives are themselves often overlooked.  This isn't her best book, but an average showing from Kingsolver is still a very good book by any metric.
8.5/10

The One and Only Ivan by Katherine Applegate
Based on the true story of a gorilla who lived most of his life in an enclosure in the middle of a mall, and told from the gorilla's perspective, this short novel has a lot of heart. Recommended for young readers and adults alike.
8.5/10


Thursday, March 6, 2014

Camp NaNoWriMo



Hi all,

I just signed up for Camp NaNoWriMo, starting this April. Just like NaNoWriMo you try to write a new novel in a month, but in keeping with the theme of summer camp you're assigned to a cabin of other participants (who you can select based on age, writing genre, and word count goals).


For example, I selected to be paired with other "campers" of any age who are writing young adult novels with word targets around 75,000.  I want people writing in that genre, and I want people who set ridiculously high goals for themselves, people who like to push themselves hard, and to think deeply about their work.  I also think a broad range of ages could make for more interesting discussion, so I left that parameter open.

i'll be writing a sequel to my first NaNoWriMo novel, Galdurheim (sample chapters here), of which I have since finished first, second, and third drafts, had read by my alpha and beta readers, and submitted for consideration with a number of good literary houses.  Fingers crossed on that one.  This sequel, which I'm perhaps even more excited about, picks up where the first left off.

Here's the blurb:

Set in Iceland in 1898, this is thirteen year old Leif's second year at school. Construction on the new school has been delayed due to sabotage and thefts each night, and when livestock begin being killed in the field people start to murmur about the hidden folk growing restless. With their access to Galdurheim cut off, the hidden folk are angry, and growing bold enough to break a nine century truce with the church. When students start disappearing, Leif and Fjola must find a way to appease them before it's too late. Meanwhile, Jens and Inga, sworn to vengeance over her brother Ragnar's death, continue his research into ways to harness the energy of the natural world. Inga resorts to deceit and tricks to try to get Leif and Fjola expelled, drawing their attention from Jens, who meticulously produces a new weapon capable of changing the world.

I really hope you'll take the opportunity to join me on this one.  I believe very firmly that everyone has a great book tumbling around inside the skulls, waiting for the right opportunity to spill itself onto the page.  All the usual obstacles stand in the way: work, lack of self-confidence, hopelessness, television, kids...  The thing that nobody seems to share is this truth: all of those are excuses, and phantasmagorical ones at that. They're not as real of impediments as we initially think.

Setting daily or weekly word goals, and setting aside time (even if it's just 15 minutes on your break at work, and an hour at night instead of watching that other show which you're not so crazy about--you know the one) makes this writing thing shockingly doable.  And fun.

One last thought: I've written three complete novels.  The first took me five years, and that's not the planning stages.  Five actual years of dickering around with words on the page.  The next two I wrote blitzkrieg style, and they took me 9 and 8 weeks, respectively.  And they were much better books.

I definitely encourage everyone to give NaNoWriMo a try, and the new Camp NaNoWriMo looks like it'll be a great (and fun!) opportunity to unleash your creative monsters.

Hope to see you there.

 - a

Wednesday, January 29, 2014

Finished Reading 1/28/2014 - Counting by 7s, and How to Get Filthy Rich in Rising Asia



This is a great young adult title about a girl with Sherlockian intelligence who is given up as a baby, and then as a twelve year old loses her new parents.  Willow has a lot of trouble connecting with people, but when the new friend she meets at counselling intervenes to try to find her a home, suddenly the loneliest girl in the world is surrounded by a strange cast of characters who go to extreme lengths, some of them against their natural inclinations, to provide her a new family.  Somehow, the girl who by intellect and circumstance both is an outsider, connects movingly with the reader.  It's a subtle book, and though it's an easy read and one you will find yourself constantly wanting to turn the next page, it deals with the very weighty subjects of loss, grief, and identity with a very deft hand.  This is definitely a recommended title.

Counting by 7s by Holly Goldberg Sloan

8.75/10

-----------------------------------------------



For me, this book appeared out of nowhere on a swiftly rising tide.  Around the same time I first saw this title on an awards list and got interested, several of my friends asked me if I'd read, or recommended I read, Mohsin Hamid.  I haven't read Hamid's other two novels, but this one deserves the buzz.

The book never names a city or a character, and it's narrated in second person point of view--all risky choices, but here they pay off big.  The frame is of a self-help book to assist you, the reader/protagonist, in doing just what the title claims.  It's broken into specific targets or goals, each of which is undermined by a multitude of factors that stand in the way: disease, poor infrastructure, government corruption, shady business partners, murderous business rivals, love.  Along the ride, the second person pov forces you to inhabit this unnamed city and rise through its squalor and filth and crime and death.  I was frequently reminded of the three months my wife and I spent in India.  For Westerners especially, this short novel goes a long way to helping readers understand the challenges and motivations of rising Asia.  Another recommended title.

How to Get Filthy Rich in Rising Asia: A Novel by Mohsin Hamid

9.0/10

Sunday, January 26, 2014

In Which I Use a Recent Misunderstanding to Reflect on Race and the Problem with Assumptions

Sorry in advance for the lengthy post; I wanted to give background, and the full text of the misunderstanding, and then segue into more general thoughts, and it took longer than I expected.

If you want the summary, here it is: be nice to each other, and try to read and write more fiction written by and/or about a wider variety of people.

And now to begin:

Last week a writing workshop I really wanted to get into opened for sign-ups.  It's called Out of Excuses, and is taught by Mary Robinette Kowal, Brandon Sanderson, Howard Tayler, and Dan Wells.  While I've read and admired Wells' John Wayne Cleaver trilogy and the current books in his Partials series, as well as Books 1-5 of Tayler's Schlock Mercenary series, I have to admit I was most excited about Kowal and Sanderson.  As in, I was afraid that if I got in I'd go all fanboy on them and embarrass myself.

For months I had a note on the refrigerator, and I went back and forth about the workshop--would I be able to afford flying back to the States to go? would I ever forgive myself if I didn't try?  The day registration opened finally arrived, and I waited on the signup page with bated breath, hitting f5 like a classically conditioned pigeon hoping for a treat.  One minute passed.  Two.  Three.  It was overdue, and I was beginning to panic.  Finally it cleared, and I scrolled frenetically down the page.  The lodging option I wanted was "pending."  I scrolled back up to get a general membership, figuring I could work out a hotel or something later, and there were still some available.  I clicked it, clicked register, and in those seconds it sold out.  It took about ten seconds in all for every slot to fill.

I was crushed.

But life moves on.  What else can it do?

Fast forward one week  I follow Mary Robinette Kowal's Twitter account, and have directed comments to her now and again.  She's always responded with graciousness and good humor, as she does to all of her followers who message her.  So when she tweeted that the single scholarship slot for the Out of Excuses workshop was still up for consideration, I clicked the link and read up about it.  According to the website, while the previous year's scholarship was open for everyone, this year it was focused on diversity, specifically for people of color.

Given Kowal's rapport with her Twitter followers, and my poor sense of humor and inflated quest for irony, I made a joke in admittedly poor taste:


*Note the hashtag #crickets, which I was using to imply shocked silence after an absurd comment--pointing out I meant it as a joke.  This is what I had in mind:




Funny, I thought.  There's no way in hell they'd let in a white male for a diversity scholarship, and with my clever use of the hashtag I show my hand and we all have a chuckle.  I thought it'd make an author whose work I admire smile, get a mild, good-humored reproach in response, and that'd be the end of it.  Apparently the internet had other plans.

Kowal, perhaps wisely, didn't want to touch it, and instead kicked it up to one of the adjudicators of the scholarship, K. Tempest Bradford:


Fair enough.  I missed the mark, which happens.  I figured I'd get an "I don't think so," perhaps a "smh" in response. Instead, I got my ass handed to me.


It started off as I expected, but then it went downhill fast.  There were a few things I objected to, which we'll get to in the next image, but mostly it was the overly officious tone, which I did not address with a response.  (Because, really, there's nothing more irritating than someone telling you they don't like your tone.)  I thought about the other points of contention for quite awhile, and eventually responded thus:


I'd like to take just a moment to elucidate, because this gets to the heart of what bothered me so much about the exchange. I was born in Florida, where because I had brown hair, tan skin (very dark tan in those days), and brown eyes I was seen as a brown person.  In that area of Florida, the default brown is Cuban.  So I was Cuban.  Then we moved to Tennessee when I was eight.  There, the default brown is Mexican, so I was Mexican.  We lived in rural TN, far from a small town; we had a forest, and I also discovered books, so I was in the sunlight less in those days; in addition, around puberty my eyes started getting lighter, eventually arriving at their current hazel color. So I guess I stopped looking less indigenous Mexican and more Spanish Mexican.  But, as far as other people were concerned, I was still Mexican.  (This was when I discovered that shades of skin are far more important to people of color, and of only limited importance to white people, who for the most part seemed to think brown was brown and black was black and that's all they needed to know.)  

It was something I dwelt on a lot.  A small, rural school in the South in the '90s was not a comfortable place to be in any way different, so I tried to minimize my differences as much as possible.  By the end of middle school, I wore long sleeves, pants, gloves, and hats with towels in the back to cover every inch of skin while I worked in my neighbor's tobacco farm so I wouldn't get dark again.  (Yes, I worked in the fields at a young age--starting at age 10, in fact).  

Then September 11, 2001 happened, and suddenly I wasn't Mexican anymore.  I had finally grown the year before, after being short my entire life, so I was a tall, thin, tan-skinned, brown-haired man in a country that was suddenly afraid of tall, thin, tan-skinned, brown-haired men.  Airport security was especially interested, and for ten years I was "randomly" searched before every single flight.  (And there were many; I especially loved to visit South America and Europe, where no one really knew--or cared--where I was from.)  

I worked very hard.  I got two degrees (not majors) in four years, while holding at least one job, usually two, and then went on to get my Masters while holding two jobs.  I learned a lot in college, and I don't mean from books.  Knoxville isn't the most diverse place in the country, but for the first time in my life my skin or hair or eye color didn't matter.  I had professors--professional men and women!--who would patiently listen to what I had to say, and would take the time to consider my arguments and reply in full.  That this could happen was news to me, and I gloried in it.  I worked as a writing tutor for the Black Cultural Center, and later the Student Athletic Center; I taught classes in Freshman Composition.  I learned more about myself and others, my opinions shifted, expanded, shifted again; my beliefs were tested, cracked, reforged, tempered.  The world became simultaneously larger and smaller.  In other words, I grew.  That's the most important, and the best, thing I can say about college: I grew.

My point is, you never really know someone's story, and the immediate supposition that I was a typical, ignorant exemplar of male whiteness really irked me.  I had hoped my response would help clear up that first of all, my initial comment was meant to be a joke, and second of all, the way Ms. Bradford responded to it was also misguided and offensive.  Surely things would smooth over and die down now, I thought.

Then I got this:


Once again, with the first few comments, I thought, Fair enough.  I, too, was unaware of the full context, which is what I'd objected to from her comments.  The tables turned, as they are wont to do.  Apparently there are humorless assholes out there on the internet (not a surprise), and they're bothering the scholarship committee for this writing workshop (a bit of a surprise).  

Then we get the shift in tone in the third comment, and once again it's downhill from there.  We also, once again, get firm assumptions about who I am and what that means, and added to them additional assumptions about my finances.  Am I a banker, a wealthy investor, that from my "privileged position" I can move to another country any time I feel like it?  I don't really follow the assertion that I can "just leave" Hong Kong at any time.  Perhaps I could convince my wife to break her contract, quit her job, forgo a reference, and have difficulty ever working again.  Perhaps I could break my lease and try to get out of the country before my landlord files a lawsuit for breach of contract and damages.  Perhaps we could scrape together enough  money to buy flights home.  Perhaps, once there, we could find an apartment, and pay a security deposit and the first month's rent.  Perhaps we could even get our utilities turned on.  Perhaps I could leave my friends, my life here, my home.  Perhaps.  

But perhaps not.  And once we were back in the states, with no money, no car, no phones, no health insurance, no jobs, and no prospects--what then?  As I pointed out in my response tweet the first time around, this is a ridiculous assumption, akin to telling people of color in America that if they don't like it they, too, can "just leave."  

It reminds me of how a number of Asian Hong Kongers feel about whites here: they should go back to England.  Never mind that many whites were born here, or that many whites are Australian, or Russian, or French, or Canadian, or American, or just about any other country you can imagine.  "Go home to England" is the slogan for racists here.  Which is as equally misguided and absurd as, and should be very reminiscent of, the old slogans of racists in America: black people should "go home to Africa," or Arabs should "go home to the desert."  I can think of any number of others I've heard for Native Americans, Jews, Irish, Italians, Central Americans, South Americans, Chinese, Koreans, etc. etc. etc.  But let's allow two examples speak for the others; there's no sense rehashing hurtful speech unnecessarily. 

As a self-described activist, and someone who blogs extensively on issues of race, and has had essays published in textbooks on the topic, I would have expected Ms. Bradford of all people to understand my point, and to not leap to a foggy assumption and from there to a faulty conclusion.  As a well-intentioned person, I also expected not to be addressed with such unwarranted aggression.

This is not the space to explore every wrong that every person of color, every woman, every African-American has ever been dealt in the United States.  I'm sure Ms. Bradford has plenty of reasons to be, as one of her many blogs is titled, an Angry Black Woman.  Doubtless she has reasons for automatically assuming the worst of a white male making a boneheaded remark.  The internet is a big, ugly place, and I can only imagine what kind of trolls breed there.  But that doesn't make such assumptions right, nor does it make it appropriate to make those assumptions so vociferously public.

It is very true, as has been previously noted by John Scalzi, that straight white male is the lowest difficulty setting in life.  Since college, I have mostly been accepted as a straight white male, and I am not unaware of how fortunate I am in that respect.  (Though the year I lived and worked in Seoul, South Korea--where being white is often looked down upon, and where my employer treated me and my white colleagues more as objects to display and prove affluence than employees and people--taught me that this is not always the case.)  In the general course of things, straight white men don't understand what it's like to be an Arab, or a South American, or an Asian.  Or black, for that matter.  And in the particulars of the experience, they can never know exactly what any individual goes through, or how they have been made to feel, or the looming specters of race, gender, sex, sexual preference, class and/or any other number of variables that make us all so unique and interesting and beautiful.  

But I'm a writer--empathizing with other people to try to understand how they feel and what motivates their decisions is my job, my hobby, my passion.  And, more importantly, I'm human. That simple fact means I have far more in common than I'll ever have in difference with anyone, and with a little explanation, a little effort, a little kindness--I think we have the ability to understand one another.  Perhaps not in every particular, but in the general, broad sweeps of our lives, yes.  

I firmly believe that.  I have to believe that, otherwise it would mean that our biological differences, over which we have no control, determine us, and I think that's bullshit.  I have to believe it because it means we can grow together, and become more and more equal over time; it means that if enough people are willing to accept and love one another for who they are, we can change the world.  

This already happening, has been happening for generations.  It's slow, let's be clear on that; so very, very slow, and it will take generations more.  But it's happening.  And it's easy: you listen to what people have to say more often than you assume you know them based on how they look or who they love or whether or not the practice a certain faith.  You listen more than you speak.  It's not that hard a task, in the end.  You also have to think a little bit, but we can all manage that, too.

As I mentioned above, issues of Otherness have been on my mind since I was child.  This is something I try to deal with in my own work.  To date, I have written three novels (for which I'm currently seeking representation, so if you're an industry professional reading this... :) ).  The earliest is a fantasy novel, in which I sought to escape from the European origins of modern fantasy.  I started imagining the world a decade ago, and started writing the book six years ago, and between those two stages I realized that my world mirrored a first contact scenario more than anything else, and consequently issues of race were very important to not just the story but the worldbuilding.  In the novel (the first of many, I hope), the main characters are all people of color; two are female, one of whom, as are several other important characters, is not heterosexual. (I deliberately say "not heterosexual" instead of "homosexual" because there are many more than two sexualities.)  Race is a very big issue in the book, as is violence against women.  These were not accidents.  I also wrote a science fiction novel set in the 2030s.  Of the three main characters, one is a white teenager whose best friend is black; one is a black woman who is a newly minted MD, and the other is an elderly Jewish woman.  These also were not accidents.  Finally, I recently completed my first short story since finishing my Masters degree nearly six years ago; it is a contemporary fantasy, and the main characters are both female, and of mixed Caucasian/Cherokee descent.  Again, a very deliberate choice.  My second novel is an historical fantasy set in the 1890s in Iceland, and as such does not have any people of color, but issues of class and sex are important to the characters and plot.

I think giving voices to the under-voiced and voiceless is important.  I think these people not only have stories worth hearing, but very often have the most interesting stories.  I believe in strong, female characters who are not mere stand-ins for men, but who have motivations and dreams and conflicts that are all their own, and may or may not involve men, but certainly do not rely upon them for definition or validation. I try to write fiction that involves a broad variety of people: characters who have prejudices and beliefs and backgrounds that are as varied as the places they come from.  This is important, but it's also important that such differences are not made out to be spectacles.  When the narrative takes for granted such things, points them out without fanfare and with little remark, and other characters react accordingly, then for the reader the result is the same.  The exoticism of the Other is decreased, and we focus instead on what's inside their heads and in their hearts, rather than what's on their skin or down their pants.  

Fiction, especially genre fiction, is the possessor of a most beautiful power.  It may not be as obvious or as powerful as people marching in the streets or being civilly disobedient, because its effect is slow and quiet.  But for readers who find the right books, its reach can be just as ineluctable.  The SFF community is already shifting wholesale in this direction--see the bandwagon for cons to have anti-harassment policies, for example, or the recent spate of anthologies celebrating women in the genre--and I'm proud to be a part, however so small, of such a great community.  Even if it involves an occasional misunderstanding; these things are to be expected, and the best thing we can do is reflect upon them and see what we can learn--about ourselves, and about others.

This, then, is my plea: let's all be a little more understanding, and a little nicer to each other.  Let's read, and write, more diverse fictions.  Let's help, one small step at a time, to change the world.

Thanks for reading.


Saturday, January 25, 2014

Finished Reading 1/25/2014 - The Crown of Embers, and The Dinosaur Feather

The Crown of Embers (Girl of Fire and Thorns book 2) by Rae Carson

This was an enjoyable read.  The characters are mostly well developed, the plot is interesting and engaging, and the danger to the characters feels real.  I was reminded on occasion that I was reading a young adult book with a female heroine, which might be just what some readers are looking for, but for the most part this read simply as a good book, without any needless classification of a good YA book, or a good fantasy book.  I had a few quibbles about minor plot points--my wife and I disagreed on them--and how a lack of realism in simple matters undermines when readers are asked to follow along with the more magical, less possible things.  But overall, this is leaps and bounds above most of the books being written for the same audience, and I'm looking forward to both the prequel novellas and the third book.



7.75/10

-----------------------------------------------------------

The Dinosaur Feather by S. J. Gazan

This book is in many ways, mostly good ways, odd.  Is it literary fiction? a myster? a thriller? a detective novel?  It defies genres and categorization with a refreshing blend of intrigue, character development, suspense, and backstory.  Some reviews I read found fault with how much we learn about the pasts of the characters, but for me this was a welcome departure from the typical plot of the murder mystery.  And the scientific conflict around which most of the characters' lives revolve was very interesting.  I became aware of this book because I saw it billed as the "best Danish novel of the decade."  While I wouldn't rank it so high as that--even having not read, to my knowledge, other Danish fiction, I hope for their sakes there is more and better--it is nevertheless a very rewarding book for readers who enjoy falling deep into their characters.  While readers who are more interested in plot may find themselves bored or frustrated, there are still pleasures to be had for them as well.



8.0/10

Monday, January 20, 2014

Finished Reading 1/20/2014 - Independent People


I started this book long ago as a nightly read-aloud with my wife.  We had each previously read Iceland's Bell (I loved it, whereas she thought it was merely good, and a bit boring).  Determined to convert her, I launched this book upon her; short of the halfway mark, it was shelved.

Time passed, and meanwhile the book lingered in my imagination.

I finally got back to it, and I'm glad I did.  I can say without hesitation that Bjartur of Summerhouses is one of the greatest protagonists of the novel form; he should be held alongside Don Quixote, and Rochester, and Milton's Satan (not a true protagonist, or a novel, but still), and Pickwick, and Jude the Obscure.  Bjartur stands--foolishly, obstinately, and heroically--unmoving as the world changes around him, and his story becomes the story of his country, seen through the eyes of its most stalwart and enduring (if not endearing) crofter.

Admittedly not the book for everyone, but for me this was a very fine read indeed. 

Independent People by Halldór Laxness

9.25/10

Wednesday, January 15, 2014

Finished Reading 1/14/14 - The Color of Magic (and others)



One of the many blurbs at the end of the book states that Terry Pratchett does for fantasy what Douglas Adams did for science fiction, and I couldn't agree more--except I suspect the author of those words meant them as highest praise, whereas I don't.  I was amused by this book, much like I was with the Hitchhiker's Guide books, and I suspect I'll read the sequel before too much time has passed, but it didn't really do much for me.  As with Adams' books, of which I've read three, I don't yet see why Discworld has spawned such a rabid following.  For me, it amuses but doesn't delight, interests but doesn't engage.

The Color of Magic by Terry Pratchett

6/10



As a bonus, some words about two other books I finished in the past few days.



The titular doll of this book was really creepy, and I enjoyed the fantasy-meets-reality, nerds-on-a-quest plot.  The book didn't wow me, but it was a fun, quick read that leaves a bit of mystery for the imagination to decide.

Doll Bones by Holly Black, illustrated by Eliza Wheeler

6.75/10





This book was charming, and, thinking back, words like "classic" and, perhaps more appropriately, "timeless" come to mind.  It's a short book, more of a novella, really, and it reads quickly--unfortunately so, because the story, characters, and narrative voice are all so lovely. If, like me, you somehow managed to escape childhood having never read this book, do yourself a favor and pick it up.

Tuck Everlasting by Natalie Babbitt

8.25/10

Friday, January 10, 2014

Finished Reading 1/09/2014 - The Book Thief



Another book that's been on my to-read list for awhile, but that I was in no hurry to read--until my wife told me the movie was coming out and that we would be going to see it.  Books that I know will be dark and depressing take me a long time to work myself up to beginning, and there's not much that's darker or more depressing than a book about WWII and the Holocaust told from the point of view of Death.

But greater than that inertia is my fear that a movie will spoil a book for me, so reluctantly I pushed The Book Thief to the top of my list.  I'm glad I did.  This story is beautiful, and the language used to tell it is constantly fresh, imaginative, evocative, and surprisingly apt.  I found myself wondering multiple times, why don't we say that phrase that way? or, why don't we use this word for that?  It's a lovingly crafted book, which helps underscore the love and humanity of the characters.  Even Death, on occasion, has a heart.

This is turning out to be a very good year for books so far.  I only hope I can find a few more titles as original and moving as this one turned out to be.

The Book Thief, but Markus Zusak.

9.25/10

Tuesday, January 7, 2014

Finished Reading 01/07/2014 - The Lies of Locke Lamora



I've been wanting to read this one for several years now, but never quite seemed to get around to it.  Now I'm sorry I put it off.  The worldbuilding here is very well done, and the characters are full of wonderful little quirks, faults, and gritty realities.  Plus Lynch is the best I've ever read at crafting curses and fitting them naturally into dialogue--difficult enough to do well, but he masters it.

But that's not what really charms in this book.  The core story--a band of suave, merry con men who jump in way over their heads--is beautifully unflinching.  This is not to say it's a flawless book (who would want to read one of those?).  There were several places where the purpose of a chapter is fulfilled, but we don't wind down for several pages.  It wasn't until halfway through the book that I began to appreciate these, as they offer us further glimpses of character and the society, and all the while we really are building toward the inevitable climax.  Yet even with that sense of inevitability, Lynch manages quite a few surprises.

Two final things of note that greatly enhanced my enjoyment of the book.  First, Scott Lynch is really fucking funny.  I laughed a lot as I made my way through.  Locke is one of the better characters I've read in years, and his sense of humor is a large part of that.  The other reason was that I listened to the audiobook, beautifully narrated by Michael Page.  If you can, listen to him read the book to you.  He's fantastic.

I cannot recommend this title highly enough.  I'm very eagerly looking forward to the second volume, which I'll be listening to again, once again narrated by Michael Page.

The Lies of Locke Lamora, by Scott Lynch.

9.5/10

Friday, January 3, 2014

Finished Reading 01/03/2014 - Fortunately the Milk



This is a very quick read, and has some lovely illustrations by Skottie Young.  The story was interesting (like Big Fish, but with time travel) and I enjoyed it somewhat, but it's my least favorite of Gaiman's books for younger readers.  It lacks the poignancy of Big Fish, or most of Gaiman's other works, for that matter. He's shooting for a younger audience than that of The Graveyard Book or even Coraline, but this book only amused me, whereas the other two blew me away.

I could see myself reading and rereading this book back when I was eight, perhaps nine, but then I would have put it behind me.  Unlike most of Gaiman's other books, which hit on many levels and work for readers of all ages, Fortunately, the Milk didn't live up to my (admittedly very high--it's Neil Gaiman, after all) expectations.  Buy it for your kids, your nieces and nephews, but don't expect too much out of it for yourself.

Fortunately, the Milk, by Neil Gaiman, illustrated by Skottie Young

5.0/10

Thursday, January 2, 2014

Finished Reading 01/02/2014 - Collapse



I've been reading this one for a while, as it is a big, dense book, and its organization makes it well suited to reading a lengthy chapter and then putting it aside for a few days to ponder.  As with his previous work in a similar vein, Guns, Germs, and Steel: The Fates of Human Societies, Collapse is above all meticulous and methodical.  Augustinian is the word that comes to mind.

Probably not the best book for every reader, but I find Diamond's approach to be very persuasive, and his look at past and present societies very compelling.  Recommended for those interested in history, the environment, politics, or international relations.

Collapse: How Societies Choose to Fail or Succeed: Revised Edition by Jared Diamond.

8.0/10

Wednesday, January 1, 2014

Finished Reading 01/01/2014 - Academ's Fury



I read the first Codex Alera book, Furies of Calderon, last September, and liked it well enough to want to continue the story eventually, but wasn't blown away.  But then I kept finding my thoughts drawn back to Calderon, and the characters, with a surprising magnetism.  I didn't want to build up my expectations too high, only to have them let down, so it was with some trepidation that I began this second volume.

It didn't disappoint.

The characters are just as engaging as before, and the world is more fully developed and explored.  The overall plot felt a little bit contrived, but overlooking this overarching point, it was very easy to get lost in the story, as the action compels the pages to keep turning.

Fans of the first book in the Codex Alera will find even more to appreciate here, and I for one am looking forward even more to the third book than I did the second.

Academ's Fury (Codex Alera Book 2) by Jim Butcher.

8.25/10

Friday, December 20, 2013

2013 Reading Results (and 2014 plans)

So I just discovered the Goodreads Stats feature, which is pretty cool.  You can compare books across years, number of pages read, and compare publication dates to dates read.

This year, I read 24 more books than last, and 11,330 pages more than last year (42,388 total for 2013).  And the longest book I read was Stephen King's Under the Dome, at 1,074 pages.

I decided to make next year's reading target higher than last year's, and set it even with the number I've read this year: 111.  To that end, I also finally used the Want to Read feature for the first time, and added 30+ books to that list--all of which I have to read sometime next year.  They're all books I acquired this year for Kindle, and the idea is that it might keep me from buying too many new books next year--at least until I read some I already have.

If you're curious, you can check out my Goodreads profile.  I'd love to see what you're reading, too.

Thinking back, the best book I read this year was The Name of the Wind by Patrick Rothfuss, with a few others deserving honorable mention: The Storyteller by Antonia Michaelis, Red Mars by Kim Stanley Robinson, and The Wise Man's Fear by Patrick Rothfuss.  That neatly rounds out my best of in fantasy, young adult, and science fiction.

Feel free to share your favorite reads of the year in the comments below or over on Goodreads.

Thanks for reading.

Monday, December 16, 2013

Finished Reading 12/16/13 - Pandemonium



My wife and I read this one together, aloud (we generally do this a book at a time, slowly, over a month or so, while privately reading other titles).  We had both read the first book, Delirium, and liked it well enough to be interested in the second.  In that book there were a few moments of very well-crafted sentences, the overall idea was intriguing, and the ending was well done, so we approached this second installment thinking it would be equally as entertaining.

But aside from a few well-crafted sentences again, my experience with this book was largely one of frustration.  Major plot points revolve around increasingly improbable set pieces and equally improbably character choices.  And aside from a few very admirable sentences, the writing (and plot) consistently pushed me out of the story, such that it was never possible to get lost in it.  We were always aware this was a contrivance, and could never feel the reality of the characters.

All in all, I didn't have high expectations for this book, but still felt disappointed by it.  And then the bombshell ending, which we both saw from ten pages away, felt like a last minute trick to force us to read the third book.  I generally don't like books that rely on tricks.

One positive note is that the Kindle version of book 2 is only $1.99 as of this writing, which is a reasonable price for some entertainment.

Pandemonium (Delirium Series Book 2) by Lauren Oliver.

2.0/10

Finished Reading - The Long War



I decided to mirror the What I'm Reading page from my website over here, and offer just a few words of summation along with the books I finish.

I've been using a 10 point rating system for some time now, broken in quarter point steps, to give a little more flexibility than just the 1-5 stars most sites offer.

The book I finished today is The Long War, book 2 in the Long Earth series by Terry Pratchett and Stephen Baxter.  I liked it about as well as I liked the first book, which is to say that I think the concept is stupendous, the possibilities mind boggling, and some of the imagined Earths really interesting--but the plotting left me less than awe struck, a little more so in this second volume than the first.

Still, I'm interested enough to see what happens next that I'll definitely be picking up the 3rd installment when it comes out.

The Long War by Terry Pratchett and Stephen Baxter

6.75/10

Thursday, December 12, 2013

Galdurheim Sample Chapters

Keep reading below for the first 4 chapters (roughly 23 pages) from my middle grade steampunk fantasy novel, Galdurheim.  This is draft three, and I'm currently putting it into shape for submissions soon, so I appreciate any feedback you have to offer.




Galdurheim

by A. S. Moser



PROLOGUE

"'And waked the throng / of warriors all; / And on the masts the gallant men / Made fast the sails--'"
"Stop there."
Leif lowered the hand scythe and let his weary arms rest. 
"Reciting, not working," his uncle said from a few paces away.  The steady shoosh of his blade through the waist-high wet grass was as constant as the rain.
Leif hefted his tool and resumed hacking.  On a fair weather day, with a full belly and a fresh arm, reciting the Eddas while he worked alongside his uncle was one of the boy's favorite things in life, even if he never could match Uncle Magnús's tireless rhythm.  But it had been raining for three days, they'd been cutting tall grass for two hours, and they wouldn't get their breakfast until Leif made it through the entire First Lay of Helgi Hundingsbane without error.  The only thing he felt grateful for at the moment was his uncle's oilcloth coat; as usual when they worked in the rain, Magnús had insisted Leif wear it, saying he didn't mind a little damp.
"Where was your mistake?" his uncle asked.
Leif thought back over the last verse.  He sighed.  "I left out the red of dawn part."
"Hmmh," Magnús said in approval.  "Begin again."
"'The ship's tents soon / the chieftain struck,'" Leif began, starting at the beginning of the verse.
"From verse one," his uncle said.
Leif whacked a few more stalks clear, paused to remove one that tenaciously clung to his blade, and started again.  "'In olden days, / when eagles screamed, / And holy streams from / heaven's crags fell...'"  For Leif, it was a typical Icelandic summer day on his uncle's farm: demanding, cold, exhausting, but nonetheless pleasant.  It was all he ever wanted in life.
Twenty minutes later, his uncle nodded his approval, and with mingled feelings of pride and hunger Leif ran across the home field to put the fish on to boil.
#
It was the end of the day when, with a grateful sigh, Leif accepted his askur from his uncle, who had filled the wooden bowl with the day's second meal of fish stew with a side of rye bread.  His socks were steaming on the hearth stones, and his bare toes were kept warm by burrowing them under Æska, the sheepdog sleeping at his feet.  He was pleasantly weary, and he had his favorite bowl filled with his favorite food.  For once he'd forgotten to wonder if a letter from his father had arrived, and consequently he hadn't once been sad.  He'd even finished reciting clear to The First Lay of Guðrún by the end of the day.  What more could a young boy ask for?
Then he noticed the thick slice of smoked lamb resting on one side of his bowl.  His eyes grew round, and he looked at his uncle.
"Happy birthday, Leifur," Magnús said.  "Didn't think I'd forget your twelfth birthday, did you?"
The truth was, it hadn't occurred to Leif whether or not his uncle would remember his birthday, because he'd forgotten it himself.  Then Leif noticed his uncle hadn't sliced any lamb for his own bowl, and he tore his piece down the middle and made to pass it over.
"That's all for you," his uncle said.  "You've earned it."
"If it's mine, then I can do what I want with it," Leif said.  "And I want you to have some."  His uncle scowled mightily, but Leif could see the hint of a smile hiding around the corners of his bearded mouth.  Magnús accepted the offering.
"I've got one more surprise for you," his uncle said after a few minutes of quiet eating, then pushed back his chair and disappeared into the bedroom.  While he was gone, Leif tore a smaller piece of lamb and fed it to Æska under the table.  His uncle's smoked lamb was his favorite thing in the entire world, strictly reserved for special occasions, and yet any time he received some it never occurred to Leif that he might do anything other than share it.
As Magnús reentered the room, Leif bent studiously back to his bowl and Æska laid her head down and pretended to sleep; they were old hands at this game, as Æska's plump belly could attest.  Uncle Magnús set a coffee tin on the table with a heavy clank and pried the lid off.
"Go on," he said, "look inside."
Leif stood up and peered into the can.  It was filled with coins, more than he'd ever seen.  Most were Danish.  "Uncle," he said, "is this for me?"
Magnús laughed.  "After a fashion.  I've been saving that since you were young as a spring lamb. Now it's time to spend it."
"On what?"  Leif was imagining all the things he could buy with that much money: a shiny pocket knife, a pound of sugar, a big, meaty cow bone for Æska, a new oilcloth coat for his uncle, so they might both have one to wear.  Truth was, Leif had very little idea just how many things might be bought with the money; he had a farm boy's desires, and a farm boy's pleasures.  As a consequence, though he had very little, he was almost always happy.
"Tomorrow," Magnús said, "we'll walk down to Thingeyri."  Leif sat upright; Thingeyri was the closest thing to a town the valley had, and it was right on the fjord.  It only had a shallow harbor, but there were still a number of smaller fishing vessels, which Leif found endlessly fascinating.  Plus there were other boys in Thingeyri; they were usually good for a wrestle, or knew where to find interesting things like wild berries, shiny stones, and dead cats. 
"I'll exchange most of that," his uncle continued, "for banknotes, and then I'll be mailing it with a couple letters to Oakdale on Snæfells peninsula." 
"Why?"
"That's where you're going to school."
Leif frowned.  "But I don't want to go to school."  At least he didn't think so.  It did sound exciting, though.
"I expect you'll change your mind once you've been there."
"What if I don't like it there?"
"You'd better.  I'm paying two full semesters, and you'll see them through."
"What if they don't like me?" Leif asked, thinking of his future classmates.
"Make sure they do," his uncle said, thinking of his future teachers.  "I made a promise, and I aim to keep it."
"A promise to who?" Leif asked, knowing the answer but needing to hear it all the same.
"Your father," Magnús said, and just like that all the pleasant warmth of an end of day meal evaporated for Leif.
"I want to stay here with you," Leif said quietly to the table.
His uncle sighed.  "I know," he said, and placed a large hand on Leif's small shoulder.  "But you'll go anyway.  At the end, if you still don't like it, you can come home for good."  Something in his voice suggested he didn't believe that very likely.  "Now finish your stew."  He carried the coffee can back into the bedroom.
Leif put a spoonful into his mouth distractedly.  He was even forgetting the momentary pang at the mention of his father.  He was going to school.  To live with other boys.  To live without his uncle.  He felt a mixture of excitement and dread that left his food tasteless.  His hand crept up to his bowl to sneak the last of the lamb under the table, but from the other room his uncle arrested the attempt. 
"No more lamb for Æska.  Any plumper and the sheep'll be herding her."
The dog in question put her head down on her paws.  "Sorry girl," Leif whispered.  She let out an expressive sigh in that special way that only dogs can.  "Me, too," Leif said, reaching down to pat her head.  "Me, too."



SUMMER


  
CHAPTER ONE

Sunday, August 1st, 1897

The boy and his uncle followed the crowd down the gravel path.  Chipped rocks shifted uncomfortably underfoot.  The uncle carried a canvas sack that was only partially filled.  It held all the boy's possessions.  It had taken the pair several days to arrive, walking and sailing and walking again, and Leif felt overjoyed and hollow at the same time.  Today, for the first time in twelve years, he was leaving his uncle's protection.  Today, for the first time in his life, he was going to school.
"Step right up!" a man announced.  "Perfectly safe, astoundingly convenient. Experience the future, developed right here in Oakdale at our very own School of Heiturlurgy.  Be amazed, and tell your friends you've traveled the way others have only dreamed.  Please don't shove, ma'am," he added in a lower tone to an aging woman swaddled in an undyed wool sweater.  "There's plenty of room for all."
The woman sniffed loudly and clutched a canvas sack to her ample bosom.  The sack smelled as though she'd bought a pair of two day old fish and then walked in the sun with them all morning, for in fact she had.
Leif and his uncle followed the fishwife onto a sturdy wooden platform, the pine planks exuding the familiar smells of sap and seawater that lumber freshly unloaded from Norway always had. The wooden railings were peppered with wonderfully fresh splinters.  The boy picked up three without even trying, and with a grin displayed his new accessories to his uncle.  Then came a whiff of wet wood, and the hissing sound of escaping steam.
"Ever been on a steamwalk before?" the operator asked.  The boy shook his head.  "What's your name, boy?"
"Leifur," he replied.
"Well, Leif, hold tightly to the railing.  We don't get many falls," he confided to Leif's uncle, "but when we do, it's usually the little ones pitching under the rail."
"Hmph," his uncle grunted, as if the operator had just confirmed something for him.
"Mind the splinters," the operator added, much too late for any of his passengers' comfort.  "All set?  Everyone hold on.  Here we go."  The man reached for a large lever, winked at Leif, and cranked it down.  There was a rumble underfoot, a loud clanking of unseen gears grinding into motion, and the smell of hot, wet metal.
Leif had just enough time to look at Uncle Magnús and see the grimace on his face before the world dropped away.
No, that wasn't quite right: it wasn't the world dropping away, it was the boardwalk rising up.  With a clanking of gears and a hiss of steam, the entire section of boardwalk lifted into the air in a parabolic arc.
Leif was eye level with second story windows, then rooftops, several of which were still covered in turf in the traditional style.  Most roofs sported pipes wisping steam.  He pointed them out to his uncle, who did not appear to share his excitement.  The steamwalk rose higher, and over the roofs Leif saw the river, milky blue due to sediments carried down from the glacier crowning Snow Mountain.  Leif had just enough time to see what looked like a small forest to the east before there was another loud clank and a shudder, and the steamwalk began descending again.
Up came the roofs, the second floor windows, and then the ground level windows.  There was a roar as steam shot out from all sides.  The steamwalk jolted to a stop, pitching Leif under the rail and onto the dirt street.
He lay sprawled on his back, watching gouts of steam rise and vanish into the sky.  For once, it hadn't rained, else the street would have been a long ribbon of mud--yet another blessing in what was beginning to look like the most exciting day in Leif's young life.
"What's the matter, shepherd?" came a girl's mocking voice.  "Never been on a steamwalk before?"
Leif looked over to find a girl with her arms crossed.  She was near his age, and with her blonde hair, blue eyes, and smart dress and bonnet she looked an exemplar of a young Icelandic maiden.  Only the smirk on her face ruined the picture.  Several giggling girls stood beside her.
"I seem to remember seeing someone else fall from the steamwalk once, Ingveldur," a boy said.
"It's Inga," the girl said crossly.  "You know that."  The boy rolled his eyes at her.  He looked down at Leif and held out a hand.  Leif took it and got to his feet.
"I'm Ragnar," the boy said.
"Leifur."
Unlike many Icelandic boys, Ragnar had brown hair and eyes. He was wearing tailored wool pants and jacket, with a badge that looked like a giant tree embroidered on the jacket's breast.  Inga wore a spotless, pressed dress and freshly starched bonnet.  The girls with her wore similar outfits, and Leif felt suddenly self-conscious about his homespun sweater and patched pants.  Ragnar smiled, as though aware of Leif's discomfort and trying to reassure him.
"Take care around here," he said. "You never know what new contraption the heiturlurgists will cook up next."
Just then Uncle Magnús appeared and put his arm around Leif's shoulders. "You all right, boy?" he asked.  Leif nodded, embarrassed. "I thank you for helping young Leif here," he said to Ragnar, holding out his hand.  "Name's Magnús."
"Ragnar Pétursson," he replied, shaking hands.
Magnús stopped.  "Your face is familiar.  Pétursson, you said?  Not from Reykjavik are you?"
Ragnar nodded.
"Pétur Jónsson is your father?  The merchant?"
For the first time, Ragnar seemed uncomfortable. He nodded, keeping his eyes on the packed dirt of the street.
"Well," said Uncle Magnús, finally letting go of Ragnar's hand.  "Well."  Ragnar flexed his hand, as though Magnús had squeezed it too hard.
"Pleasure to meet you," Ragnar said to Magnús, though he was looking at Leif.  "Sorry about my sister."  Then he turned and met up with Inga and her friends.  Sister? Leif thought.
"You know I hate that name," Inga muttered to Ragnar.
"And you know you're not supposed to be causing any scenes," Ragnar said back.  "We don't need any extra attention."  Then they were beyond earshot.
Leif looked to find Uncle Magnús watching them.  "Who is their father?" he asked.  "Who is Pétur Jónsson?"
"A wealthy merchant in Reykjavik.  Their ancestor, Jóhannes Jóhannesson, was one of the few Icelanders given trading rights under the Danish monopoly.  They grew rich as a draugur's treasure horde while the country starved."
"But that's all over now, right?"
Uncle Magnús nodded.  "Aye, the monopoly's over all right." 
But Leif knew there was more to the story.  "Then why don't you like him?"
"Nothing to worry about," was Magnús's reply.  "Just stay clear of those two," he added.  By now, the steamwalk operator had gathered another small crowd onto his section of boardwalk to travel back in the opposite direction.
"Hold on tightly, now," the operator was saying.  Leif heard Magnús mutter something under his breath about "infernal machines."  The steamwalk lifted into the air with a clank of gears and hiss of steam.
"Come on," Uncle Magnús said, steering Leif down the street.  "Let's go find your dormitory."
"That boy, Ragnar, said something about heiturlurgists," Leif said.  "What are those?"
"They," Uncle Magnús replied after a moment, "are the reason you're here."  There was something in his tone that meant he was displeased and trying to hide it, the same tone he used the few times Leif received a letter from his father abroad.    "They," Magnús continued, "are your teachers."
#
Leif and Uncle Magnús stood on the steps of a long, wooden building, one of those typical assemble-by-numbers buildings that were shipped from Norway. An official-looking sign beside the door read: ICELAND SCHOOL OF HEITURLURGY. Beneath that, in letters that had been somewhat less elegantly painted, it was amended: BOYS' DORMITORY.
"Here we are," Uncle Magnús said with a sigh.  Whether he was relieved or saddened, Leif couldn't tell.  He felt much the same himself.  Magnús set Leif's canvas bag down with a thump and grabbed him by the shoulders.  Leif found himself looking into the familiar face of the man who had raised him: the scraggy beard, the dark blue eyes, the windblown cheeks.  He must have leaned into the wind and caught some grit; he was blinking a lot, and his eyes were watering.
"Your poor mother wanted nothing but the best for you, rest her soul," Magnús said.  "And your Da, before he sailed for America, made me promise I'd send you to this school.  He's sent money over the years, a little at a time, and I've saved every króna and eyrir for this day.  I don't think your Da knows what happened to the place of late, but no matter.  A promise is a promise."  He looked down for a moment, gathering his thoughts.
"Anyway, here you are.  You'll see and learn a lot of things here, Leif, and your life will be very different.  That's fine, you learn everything you can.  But never forget where you came from."  He poked Leif in the chest with a thick finger, callused from work like Leif's own.  "Never forget where your heart is."
He hugged Leif then, crushing him against his chest.  Leif inhaled the familiar scent of dried fish and unwashed wool, surprised to find tears in his eyes.  He must have been hit with some windblown grit, too.  He wiped his eyes before Uncle Magnús could see.
"They'll teach you that not everything old is good, and they'll be right.  Sometimes things need to change to get better.  But remember that not everything new is good, either.  It's like when the snow melts: a little bit over time, and we have water for the house and fields; but too much, too soon....  You were just a little thing when the river broke the banks and flooded the home field.  We built the croft the old way, on a hill, but Sigfús Gunnarsson thought he knew better.  Do you remember?"
Leif nodded.  He and his uncle had slept on the floor while Sigfús, his wife, and their three children sheltered there.  Worst of all, Magnús had brought out his smoked lamb, normally reserved for special occasions, and the hapless crofters had eaten every scrap.  Leif remembered them all too well.
"Good," Magnús said, and with that he knocked on the door.
Almost immediately it opened to reveal a pale, reedy man in a black wool suit.  His thinning blond hair was cut short and slicked to the side.  Even stranger to Leif, he was clean shaven.  With his large, unblinking eyes and wan lips, he reminded Leif of a fish.
The man's eyes took in Leif's clothes, the canvas bag at his feet, and his bearded uncle with the wild hair.  "Ah," he said.  "You must be our little munaðarlaus.  Leifur..." he trailed off.
"Alreksson," Uncle Magnús supplied gruffly.  "After his father, Alrekur.  Who is very much alive."
"Yet not present."
Magnús glared at the headmaster, his heavy hands clenching into fists.  Leif shuffled his feet as the heat rose to his face; munaðarlaus was what children called him when they wanted to start a fight, and Leif generally obliged: it meant orphan.
"Yes of course," the headmaster finally said, breaking the silence with a smile that did not touch his eyes. "Leifur Alreksson.  I am Grímur Oddason, headmaster of the School of Heiturlurgy."  He looked at Magnús with obvious distaste.  "We do not allow parents--or... guardians--into the dormitory, and certainly not the school.  You will have to say farewell here."
"Remember what I told you, Leif," Uncle Magnús said, patting him on the back a last time.  He handed over the canvas duffle.  "Be seeing you in a few months."
"Actually--Magnús, isn't it?--we keep our pupils throughout the winter.  Why waste the long months of darkness at home when they could be profitably spent in study?  The school has the most advanced heating and lighting system in the country.  Young Leifur will doubtless be safer and warmer here than in your turf house.  We allow the pupils to return home for a few weeks beginning early summer, around the solstice."  Another smile twisted his lips, but it came across more as a grimace.  "Some traditions have proven harder to break than others."
"The summer solstice, then," Uncle Magnús said.  The idea seemed to reassure him, for some reason.  "Until then."   
Headmaster Grímur ushered Leif into the longhouse.  The portal closed behind him with a heavy thud, and, given his uncle's cryptic warning and advice, he couldn't help but hear something ominous in the heavy thunk of the closing door.


CHAPTER TWO

Leif followed Headmaster Grímur down a narrow corridor lined with paintings of respectably bearded older men.  Former headmasters, Leif thought.  There was something odd about the paintings, but he couldn't decide what it was.  There were also a few charcoal sketches of an enormous tree that resembled the badge from Ragnar's jacket. Leif wanted to ask about it, but Headmaster Grímur had paused and was staring at him with that unblinking gaze.
Escaping steam sighed somewhere nearby.  They had arrived at a hallway, and Grímur pointed left into a long, narrow room.  Beds lined the walls.
"This is where you will find the bunks for first and second year students.  Everyone shares a bed.  As you are the last to arrive, you're sharing the bed at the end on the right.  There is a chest underneath to store your belongings.  Farther down are the rooms for third and fourth years, fifth years, and sixth year students."  Next he turned opposite to another large room filled with trestle tables.  "This is where you will have breakfast before school and dinner after returning.  If you are the gluttonous sort who likes to eat during the day, you will not find sustenance here.  Dried fish and butter can be purchased at several places in town after you have completed your studies."  He looked at Leif pointedly.  "Your uncle left you with some money?"
Leif shook his head.  He'd never needed money before, and had only held coins once or twice in his life.
"Then it is a moot point," the Headmaster replied.  "I suppose you're accustomed to two meals a day anyway."
Leif nodded his head.
"Do you speak, boy?"
Leif nodded his head again.  Grímur raised a pale eyebrow.  "Y-yes, Headmaster," Leif stammered.
"Quiet and polite," Headmaster Grímur said approvingly.  "Perhaps we will be able to make something of you after all, despite your rustic upbringing."
"Y-yes, Headmaster."
"In the morning, after breakfast, you will follow the other first years to the dock where our boat will ferry you to the school."
"Boat?  This isn't the school?"
Headmaster Grímur snorted.  "Do you know anything about this school, boy?"
Leif shook his head.  "I've never been to school."
"That much is obvious.  But every Icelander surely has heard of this institution."
"Sorry, Headmaster.  My uncle only told me I was going to school, and that this is where my father wanted me to go."
"And where is this mysterious father?"
"He went to America," Leif said.
"America," Headmaster Grímur said, working his mouth as though the word tasted dirty on his tongue.
Then Leif remembered the few letters he'd received.  "He was in Mexico.  Then Abyssinia.  And Egypt.  But that was two years ago."
Grímur paused, realization dawning.  "Your father is Alrek Eiriksson?"
Leif nodded.
"The archaeologist?"
"I don't know," he admitted.
"What does he do?"
"Something with old cities."
"And where is he now, this man obsessed with the history of all peoples but his own?"
"I don't know," Leif repeated.
"Never mind your father.  What do you know?"
"I know all about sheep."
Grímur shook his head.  "Can it be that you have come to the most famous school in Iceland, a school renowned in every civilized country of the world, and you know nothing of what we do here?"
"Sorry, Headmaster," Leif said, his eyes on his shoes.  "My uncle only told me--"
"That you were coming to school, yes, you said that."  He sighed dramatically.  "I don't suppose we can fault you for the shortcomings of your guardian.  Did he teach you about anything other than sheep and wool before dropping you on our doorstep?"
Leif nodded enthusiastically.  "We had a cow, too.  And in the long nights he taught me the sagas.  He knows them all by memory."
"No doubt he does," the Headmaster replied.  "And I bet he taught you all about the hidden folk, and trolls, and the people of the sea, too."
Leif nodded again, even more enthusiastically; those were his favorite stories.  Then he saw the look of disapproval on Headmaster Grímur's face.  The Headmaster put his cold hand on Leif's shoulder and led him to the bunk room.
"Your uncle is an independent man, isn't he?  Owns the plot of land he works?"  Leif nodded.  "Then he's a rare individual already, and must be a disciplined and hardworking farmer.  And no doubt he taught you many things that were useful for that life.  But you are here, now.  We do not concern ourselves with superstitions and legends.  Those are things for the past.  What you will learn here is how to create the future.  But first you must be able to relinquish the past."  He bent down and trained his large eyes directly on Leif's own.  "Can you do that, Leifur?  Can you let it go?"
That gaze was very uncomfortable.  It seemed to bore into Leif's head, to call out his rural upbringing and cast it aside.  "Y-yes, Headmaster," Leif finally said.
"Good boy," Grímur replied.  "Now go unpack your things, such as they are.  The other first and second years should be returning soon.  You'll meet your bedmate then.  Try to get along."
Headmaster Grímur strode back to the door before turning around.  "I don't know what plan or chance or fate has brought you to our school, Leifur.  You are utterly unprepared for this education.  But you are here now, and perhaps your simplicity can be used.  You know the phrase tabula rasa?  No, of course not.  It means blank slate.  Anything can be written on a blank slate.  That is you, Leifur, or at least it will be once you forget your uncle's superstitions.  At this school, we will ensure that the correct things are written on your slate.  You are a very fortunate boy.  Given time, I expect you will understand that."
"Yes, Headmaster," Leif said.  "I will try."
"Yes, you will," he replied.  Then he left.
Leif found his assigned bed in the back corner of the room and placed his canvas sack in the middle.  Every bed had two pillows, one at either end.  Like most Icelanders, the students slept head-to-foot to save space and stay warm.  It seemed that some of the boys had brought their own rúmfjalir, the decorative bedboards used both as guardrails and to tuck up the blankets and avoid drafts.  Several had traditional curved lines and knots, others had floral patterns or birds--one even had a quote from a favorite hymn.  Leif's bedboard was mostly plain; only the center was adorned, with the sigil of the tree he'd been seeing a lot of since arriving.
Looking around the room, Leif realized what had struck him about the paintings in the entrance hall, what stood out in stark relief in this room as well: he could see clearly.  There was no scent of burning peat or dried dung, no oily haze creeping along the boards overhead, which were not blackened by soot.  This dormitory had electric light!
Leifur finally noticed two glowing bulbs suspended from the ceiling.  The white hot filaments inside were too bright to look upon long, and left purple after-images in his vision--yet he couldn't help staring.  Electric light!
He'd never seen by any light other than torch, lamp, or sun in his entire life, and here he was at a school where even the bedroom had electric light.  Perhaps things weren't going to be so bad after all.
#
It wasn't long before the first and second year students returned.  Leif could hear them laughing and calling to each other on the street long before they arrived at the longhouse door. They burst into the bunkroom like a raucous wave sweeping over a seawall, and Leif was suddenly surrounded by a dozen faces at once.
There were Bragi, Steinn, Gunnar, and Valdi, who were fellow first years and happy to meet him; Viggó and Ólafur were second years and equally excited.  Two other second years, Pétur and Simon, were more reserved, as though the year between them was more than just a twelvemonth.  There was another first year, Jens, who didn't look up from his bootlaces, even when being introduced, and offered a limp handshake as though he'd been instructed to do it but someone had forgotten to show him how.  Ragnar was there as well, and Leif gave him a wave.  The brown haired boy nodded, but then turned back to his bed.
That's weird, Leif thought.  He was so nice before. Leif's thoughts were interrupted by a very large second year with red hair who introduced himself as Árni.
"Looks like you're stuck over here," Árni said.  "Seven new first years and only three empty beds.  The other six chose to split beds rather than bunking with me."
"I would, too," the second year Ólaf said.  "Great big Viking like you won't leave any room for the poor guy.  Good thing you're a little one, Leif, or you might be sleeping on the floor!"
"You're lucky you were already stuck with Viggó, or I'd come sleep over there tonight."
"Please no," Ólaf joked.  "Anything but that!  You'll want to stuff your nostrils with wool, Leif.  Árni catches fish just by sticking his feet in the river and waiting for them to float up dead."
"That only happened once," Árni said with a laugh.  "And it was after I borrowed your socks!"  He threw a pillow at Ólaf.  Leif assumed the other pillow was his, and placed his canvas sack on it to prevent it from being used as ammunition, too.
The boys began to settle down on their beds, but no one was ready to sleep yet.  They'd just come in from outside where, despite it being nearly ten in the evening, the sun was still above the horizon.  It was late summer, and the days of the midnight sun were falling behind them now, but there would still be light for some time yet.  It was always difficult to fall asleep when the sun still shone.  And then there was the fact that the first day of classes began in the morning.  The room was buzzing with energy.
"A story!" Ólaf cried.  "Someone give us a story."
Simon sighed.  "Do we have to do this every night?"
"Of course we do," Árni replied.  "What else would we do?"
"Study?  I seem to remember you struggling through thermodynamics last term."
"Yah," Árni said dismissively.  He grabbed Leif's pillow and hit Simon in the head with it. "We've got all year to study thermo this and water that and forced induction thingamabobs."
"A score for entertainment," Ólaf crowed. "Education is slain."
"It's your turn," Viggó said to Árni.
"Is not.  It's Pétur's turn."  They looked at Pétur, who rolled his eyes and shook his head, causing Árni, Viggó, and Ólaf to burst into laughter.
"I think Leif should tell a story," Ragnar said.  Leif had almost forgotten he was in the room, but there he was staring back with a curious smile on his face.
"Hey, why not?" Árni said, clapping Leif on the back so hard he stumbled.
"I don't know," Leif said.
"Sto-ry!  Sto-ry!  Sto-ry!" Ólaf chanted, stomping his feet on the floorboards.  Árni and Viggó picked it up, pumping their fists in punctuation.  "Sto-ry!  Sto-ry!  Sto-ry!"
"OK, I'll do it," Leif said, laughing.
"What stories do you know?" Árni asked.  "It better be a good one.  None of this, 'there was a great warrior, he killed many people before the king of Denmark slew him in battle, the end,' kind of thing.  We want details."
"Um...  What about Helgi Hundingsbane?"
"No poetry," Árni groaned.  "We start school tomorrow, not tonight."
"I know 'The Tricking of Gylfi.'"
"We want an Icelandic story," Ólaf said.
"What about a story from your part of Iceland?" Ragnar asked.
Árni followed that with, "Hey, where are you from?"
"My uncle's farm is at Hawkdale, a half day's walk from Thingeyri."
"The West Fjords," Árni said in amazement. 
It was a region of the country where few people lived, and fewer still were those who could claim to have visited.  The West Fjords were cut off from the rest of the country by ice and snow for much of the year, and most Icelanders knew more myths than truths about the people who lived there.  These boys, like most Icelandic children, had heard many stories of sorcery and witchcraft, and most of those stories took place in the West Fjords.
"Yes!" Ólaf said enthusiastically.  "Tell us a story from the West Fjords."
Leif was unsure; he knew a great many stories about his region--tales of sorcerers, and trolls, and creatures of the sea.  But he had arrived last, and his clothes were not as nice as everyone else's, and now he was the only one from a mysterious corner of the island country.  He already stuck out like an old fish; he didn't want them to think he was any stranger than they already did.  Ragnar solved his dilemma.
"Hawkdale is the valley near Dýrafjörður, isn't it?"  Dýrafjörður, or Door Fjord, was one of dozens of fjords in the region, but it had attained its own notoriety, a fact Ragnar seemed aware of.  "Wasn't Gísli Súrsson from that same valley?  Didn't he settle on a farm in Hawkdale?"
Gísli Súrsson was the hero of a long story, known as Gísla saga, which included all the great components of a classic adventure: murder, betrayal, and outlawry, with some sorcery thrown in for good measure.
Árni's great red head swiveled to Leif, his mouth hanging open.  "I love that saga!  You have to tell it."
"It's so long," complained Simon.
"Then stuff wool in your ears and face the wall," Ólaf said.  "Come on, Leif, tell us Gísla saga."
Leif looked around the room uncertainly.  Most of his life had been spent with only his uncle for company, traveling to Thingeyri once every month or so for coffee and sugar and other items they couldn't make on the farm.  He'd wrestled with boys from neighboring farms on occasion, but had never truly had any friends his age before.  Headmaster Grímur had told him he had to forget his past, but he desperately wanted to be friends with these boys.  Telling Gísla saga was not keeping with the headmaster's instructions, but it was just a story, one that most children already knew.  If he refused to tell it, they might think he was boring and dull, and treat him as they did Pétur and Simon.  Plus, even if he refused, Árni would probably tell the story anyway: nothing gained, and a lot lost.
"All right," Leif said.  "I'll tell the short version."
Árni and Ólaf cheered, and Simon groaned.  Across the room, Leif once again noticed Ragnar and the curious smile which seemed to only touch half his mouth.


CHAPTER THREE

Gísla saga

"Once upon a time," Leif began, "many years ago in Norway, there lived a man with a daughter and three sons."
"Aw, skip the Norwegian part," Ólaf complained.  "Start when they land in Iceland."
"You can't skip the Norway part," Árni said.  "Then you won't know who is who."
"We all know already," Ólaf said.
"I don't," Jens said quietly.  Everyone turned to look at him.  He was the withdrawn first year who shared a bunk with Ragnar.  He had kept silent so far, and though he shrank under everyone's gaze now, he looked hopefully in Leif's direction, his gaze rising all the way to Leif's sweater this time.
"The daughter, Thórdis," Leif continued, and Jens' eyes snapped back to the floor.  "Was very beautiful, and many men sought her company.  One of the sons was fostered away.  Of the two remaining sons, Thorkell and Gísli, Gísli was the stronger warrior, and also the most protective of their sister.
"Thórdis had many suitors, but one man in particular, Kolbein, came often to their house.  He was a friend of the older brother, Thorkell, but their father did not like him.  Several times Gísli warned Kolbein away from calling on Thórdis, but he did not listen.  One night, they argued, and in the ensuing fight Gísli killed Kolbein.
"This sat well with their father, but Thorkell was very angry at his friend's death.  He would not fight his brother himself, so he convinced another man, Skeggi, to fight him and woo their sister instead.  Skeggi and Gísli fought each other, chanting battle songs, their swords singing and shields shining.  The fight raged until, with one chop, Gísli cut off Skeggi's leg.  After that, Thorkel forgave Gísli and they went home together.  But meanwhile, the sons of Skeggi were angry, and they soon came with fifty men to attack Gísli at his father's house.
"They set fire to the house three times, and each time Gísli put out the flames with whey, thus earning the name Gísli Súrsson.  But eventually the flames caught the roof, so the family slipped through a secret passage and escaped into the night.
"In retribution, Gísli and Thorkel tracked down Skeggi's sons and killed both them and Skeggi.  To escape outlawry and evade a continuing blood feud, they decided to leave Norway and set sail for Iceland."
"Finally," Ólaf said, but he was smiling.
Árni rolled his eyes.  "Ignore him.  Just keep going."
"They were at sea more than one hundred days, and finally spotted land near Hornstrandir in the north west.  They followed the coast west and south, and beached their ships at Door Fjord. There they settled, in Hawkdale.  All three took spouses there: Thorkell was married to Ásgerd; Thórdis was married to Thorgrímur; and Gísli married Aud, sister of his best friend, Vésteinn.
"So many names," Simon complained.
"I thought you weren't listening," Árni scoffed.
"Anyway," Leif continued, "as it turns out, Thorkell's wife Ásgerd was once the lover of Aud's brother, Vésteinn.  When Thorkell heard his wife mention this, he was very upset. He took his wife to live with Thórdis and Thorgrímur, where the two men discussed what they learned.
"Gísli tried to warn his friend, but he never found the right opportunity. One night, while staying at Gísli's house, Vesteinn was murdered with a spear plunged through his chest.  The murderer was never discovered, but Gísli suspected Thorgrímur in the crime. He swore vengeance for his friend's death, snuck into his sister's house, and killed Thorgrímur in the same way--by plunging a spear through his chest.
"Gísli escaped into the night, but his sister, Thórdis, raised the hunt for him.  As a result, Gísli was declared an outlaw and forced into hiding...."
#
"...But when he awoke," Leif continued, an hour later, "his hunters had caught up with him at last.
"There followed a mighty battle, hard pressed, and Gísli struck straight and true. His wife Aud fought by his side with a club, causing Gísli to cry, 'Long ago I knew I married well, though I never knew how well until this day!'
"Four men Gísli slayed before his belly was opened by a spear thrust and his entrails spilled out.  Undaunted, Gísli gathered them up in his shirt, tied it tight with a rope, and fought on.  He soon had so many wounds and lost so much blood that he knew his end was at hand.  So he leapt off the crags and struck his final blow, as strong and true as his first, and cleaved one of his hunters from his head to his belt.
"Gísli saw his slain enemies around him, and three more men who would not long survive him, and he smiled. Then he lied down atop his foe, and died."
There was a moment of silence, followed by a loud rushing of air as eleven boys, unaware they'd been holding their breath during Gísli's final moments, exhaled as one.
"That," Árni said, "was a story!"
"It was all right," Simon said, and this time it was Ólaf who threw his pillow.  "All that mess about revenge seems like such a waste to me."
"A waste?" Árni asked, incredulous.  "What would you do instead?"
"I don't know," Simon shrugged.  "I'm just saying, there are more important things in life than honor."
"Or family?" Árni pressed.  Simon shrugged.
Just then an older boy thrust his head into the room.  "You little girls done chatting yet?"
"Oh, come on, Ásmundur," Ólaf said.  "We're just having a last night of fun."
"Who's Ásmundur?" Leif whispered to Árni.
"Fourth year. He's responsible for making sure we don't burn the place down."
"Fun?" Ásmundur laughed.  "You call telling stories of dark, stuffy rooms and muddy, bloody fights fun?  What about harnessing the power of the earth itself and bending it to your command?  What would you call that?"
"Boring!" Árni scoffed.
"Heiturlurgy," Ragnar said reverently.
"We'll see who's bored tomorrow during intermediate thermodynamics, Árni.  I have the period off, so I'll be sitting in on your lesson."
Árni groaned. 
"Lights out, ladies," Ásmundur said.
There was a scurry for the covers as all twelve boys settled into their six beds, and a clonking of wood as six bedboards were lowered into place.
"And for you new first years, one last thought to send you off to dream land: tomorrow we introduce you to the world of the future."
With that, Ásmundur flicked the switch and plunged the room into darkness.


CHAPTER FOUR

The sun rose around four thirty in the morning, after barely six hours of darkness--but Leif was already awake.
He hadn't slept the night before.
A room full of snoring boys might have been a distraction to others, but Leif was used to his uncle's loud snores--and the sounds that the sheep, horse, and cow made in the undercroft at night.  Part of the reason Leif couldn't sleep was his bed partner, Árni, who was by himself already too big for the narrow mattress.  Part of it was also Árni's feet near Leif's face; as Ólaf had warned, they stank.  But mostly Leif was excited about the next day.  Excited and nervous.  He'd never gone to school before, and the few things he'd heard about what he'd be studying were completely unfamiliar to him.
His uncle's idea of education had been a mix of farm labor and literature: helping out with the birthing and herding and shearing of sheep through the spring and the long days of summer; reciting the ancient poems, the Eddas, or learning the stories of the sagas while fulling and spinning wool during the long nights of winter.  His Uncle Magnús was part poet, part farmer, and an entirely independent man; as far as Leif was concerned, he was the Icelandic ideal.  But now Leif would be expected to learn a wholly different curriculum, to become a different type of person.  He didn't know what type of person that would be, or if it would change how he felt about Uncle Magnús--or how his uncle felt about him.  And so he was nervous.
Luckily, Árni preferred to sleep on the wall side of the bed.  Leif slid the carved bedboard up as quietly as he could and slipped out from under the blanket.  He pulled a pair of pants on over his long underwear, shrugged into his jacket, and tip-toed out of the room carrying his boots under his arm.
Already there were sounds coming from the rear of the dining hall, as the cooks began heating up the ovens and checking on the skyr set aside to cool the night before. Leif knew he should have been hungry, having skipped dinner, but he was too anxious.  What he really needed was a good long walk to help clear his head and calm his nerves.  He was accustomed to long days under the open sky, walking with the sheep as he recited the Eddas back to his uncle, and he craved that sense of familiarity now.  He laced his boots up in the entrance hall, unbarred the door, and stepped out into the street.
The weather in Iceland was known to change dramatically on a moment's notice.  Growing up in the West Fjords, Leif was accustomed to seeing a warm spring day turn into freezing rain in minutes.  Snow was not unheard of in summer.  First frost had come in early September a couple of times back in Hawkdale.  Because of this, Leif always kept a wool cap and gloves in his jacket pocket just in case.  So as he stepped out into a mist-enshrouded town, there was nothing unusual or frightening about it.  In fact, the mist served to soften the edges of things, to diffuse the golden glow of the sun, and to deaden sound.  It made the town quiet, peaceful, even beautiful.
Leif slipped his cap on his head and stuffed his hands in his pockets.  Then he turned toward the river.  Partly he wanted to see where he'd be going later with his schoolmates, but mostly he was curious if he could get closer to the forest he'd seen from the steamwalk.  Trees were very rare in Iceland, owing to the extreme weather and poor soil, and most of the forests had been cut down long before.  Leif had only seen a few trees in his life, and never a forest.  He quickened his pace.
He found the river mostly by the growing dampness of the air.  The mist was thicker here, and he nearly stepped off the bank before he realized he was there.  The water was a flat grey in the light and milky with minerals, like dirty bathwater after the soap has been rinsed off.
Leif climbed down to the water's edge and put his hand in the river.  It was frigid, and ice rimed the banks in a few places.  Off to the west, hidden by the mist, was the massif of Snow Mountain; the glacier on top fed this river, and many others in the area.  Snæfellsjökull, or Snow Mountain Glacier, was rumored to be magical.  It was famous in other countries because Jules Verne's Journey to the Center of the Earth began by descending into the dormant volcano, but it was famous in Iceland for other, more mystical reasons.  Even in the secluded West Fjords Leif had heard of it.  There was the saga about Bárðar, who had walked into the glacier and disappeared, and was rumored to live there still as its spirit guardian.  There were other rumors, of witches and sorcerers who lived in the ice caves, seeking to use the glacier's magical powers. There were less fantastical stories, too, about how drinking the water would keep you healthy for a year and a day.
Leif cupped some of the chilly water in his hands and tasted it.  It just tasted like water to him, perhaps a little dirty or metallic.  But he didn't feel any different.  Maybe it took longer to take effect.  Or maybe it was just a story.  Disappointed, he let the rest drain through his fingers.
He thought the trees he'd seen should be nearby, so he walked down the river bank a few minutes, but he didn't find any, and he kept walking.  The mist was beginning to lift a little, and he could almost see across the river now. He was just about to admit defeat and turn back to the dormitory, when he noticed a girl watching him at the river's edge.
Leif stopped walking and stared at her.  She was wearing an outfit much like his: wool hat, jacket with the collar turned up, pants tucked into high boots.  Unusual as it was for a girl not to be wearing a dress, that wasn't the most unusual thing about her.  Perhaps it was just the strange morning light, but there was something otherworldly about her eyes as she stared at him, something that made Leif's stomach flutter.
Unsure what else to do, he waved at her.  She did not wave back, and continued staring.
Now Leif was getting irritated.  He had just as much a right to walk along the river as she, and he at least was trying to be polite by waving hello.  Who ever heard of someone that just stared all the time?  He wasn't going to let her get away with it.  Though he had wanted to turn back, it suddenly became very important that he continue walking right past the strange girl.  That would show her.
The girl didn't stop staring as Leif trudged closer.  What he did notice was how her hair was not braided, but swept wildly out from under her wool cap; how her hands were not gloved, her fingers pale and slender; and how her eyes were an odd shade of blue, almost violet.  It's just the light, he told himself.  He squared his shoulders, stared right back at her, and kept marching.
Then, just as he was about to pass her, the girl stuck out her hand.  Leif stopped in his tracks.  He looked at her hand, uncertain what to do.
"Fjóla," the girl said.
Leif looked at her hand, confused.  A fjóla was a type of flower, but there was nothing in her hand.  The girl laughed, and it was like silver bells tinkling in the wind.
"I'm Fjóla," she said.  "That's my name?"  She stuck out her hand even farther.  "And you are?"
"Oh," Leif said.  "Sorry, I'm Leifur."  He grabbed her hand and shook it.   It was surprisingly warm.  Probably mine were just cold from the river, he thought.
"Why are you sorry to be Leifur?"
"What?"
"You said, 'Sorry, I'm Leifur.'  Why are you sorry for that?  If anything, you should be sorry to shake hands so long when yours is so cold."
Leif took his hand back with a start. "I..." he said, sputtering to a stop.  "I--what are you doing here?"
Fjóla put her hands on her hips.  "What am I doing here?  I live nearby."  She waved breezily over one shoulder, away from town, toward the hills.  "You don't, or I would have seen you before.  So what are you doing here?"
"I go to the School of Heiturlurgy," Leif said, glad to be able to use what was supposed to be an impressive name on this strange girl. But rather than being impressed, she snorted.
"That place?  You?  You're not exactly the normal student for them these days."
"What's that supposed to mean?"
"Look at you."  She did just that, her eyes traveling from his muddy boots, to his patched pants, to his fleece-lined jacket.  "You're not a lawyer's son or doctor's son or merchant's son.  You look like you just stepped off the farm."
"So do you," Leif shot back.
"As I should," she rejoined, "because I have.  I'm not the one pretending to be something I'm not."
"I'm not pretending," Leif said indignantly.  "I am a student there.  A new first year.  My Uncle Magnús brought me only yesterday."
"First year, huh?  That makes us the same age."
"So?"
"So I could go to school if I wanted."
"All right."
"I just don't want to."
Leif shrugged.  In his limited experience, saying he didn't want to go to school had made no difference in the outcome.  The girl continued, as if his shrug was a challenge.
"I don't need to go to school.  Even without it, I bet I know more than you do."
That got Leif's attention.  "I bet you don't."
"Do so."
"Oh yea, like what?"
"Do you know Bárðar saga?"
Leif rolled his eyes.  "Everybody knows that one."  Bárðar saga, like Gísla saga, was one of the more exciting and popular sagas.  It was also one of Leif's favorites.
"But do you know all the poems from it?"
Leif nodded.  "My uncle taught me."
"Prove it."
"I'm not going to recite for you.  You recite for me."
"I said it first."
Leif stamped his feet in irritation.  "I don't have to prove anything to you."
"Fine, I'll go first if you're scared."
"I'm not scared," Leif said indignantly, but Fjóla had already begun to sing Helga's lament.
"Soon I shall seek to leave.
My passion abates not at all
for the spender of treasure.
I shall die pitifully.
For I loved the treasure-embracer
with passionate, warm emotion.
I cannot conceal my sorrow.
I sit alone and recount my misery."
Leif listened to the last note trail away.  "Yeah, that was pretty good," he admitted grudgingly.
"Of course it was," Fjóla said.  "Now it's your turn."
"Fine," he said.  He chose the final poem of the saga, because he liked it best.
"No one thought
of the veterans of battle,
iron-wielder, that it was not the gods
who were passing by--"
"Wait," Fjóla interrupted. "That doesn't count."
"Why not?"
"Because it's not part of Bárðar's story.  It's not even part of his son Gestr's story, because he's already dead, too."
"It's from the saga," Leif said irritably.
"Doesn't count."
"Fine. I'll do another one."
"Pick a better one this time."
Leif thought for a moment, then smiled.  He had the perfect poem, recited by the warrior Thorir after he slays the ogress Kolla.  Leif decided to change the troll's name to match the occasion.
"A troll is Fjóla of Oakdale.
Hardly loose as these words I say.
I met the foolish monster
in a wrestling bout this day.
The troll lost her ill-won glory
when I bent her neck this way."
He smiled at her, demonstrating how Thorir had broken Kolla's neck.  He'd changed the words to keep the rhyme because he always found that funnier.  Surely calling her a troll and claiming victory would make her angry.  But to Leif's surprise, Fjóla threw her head back and laughed.
"Not bad for a school boy," she said, wiping tears from her eyes.
"I'm not a school boy."
"Sure you are, you said so yourself."
"I don't need that school to be smarter than you."
"No?" Fjóla asked.  "Then if you're so smart, what do you know that I don't?"
"I know Gísla saga," he said.
"Easy."
"I know which types of grass the sheep can't eat."
"Learned that when I was five."
"I know Grettis saga."
"Even easier."
"I know what to do when a ewe is in labor and the lamb won't come out."
Fjóla faked a yawn.  "You know all the things that every farm kid in Iceland knows.
Leif frowned.  "I know all the stories of the Poetic Edda.  And I have the first hundred verses memorized."
Fjóla waved her hand dismissively.  "Norse stories."
"You sound like Ólaf," Leif muttered.
"Who?"
"Nobody.  Forget it.  You think you're so smart, what do you know?  You haven't shown me anything yet that I don't know."
Fjóla smiled mysteriously.  "I know where to find Galdurheim."
"Galdurheim?  What's that?"  The name meant home of magic.  It wasn't anything Leif had ever heard of, but the sound of it struck something within him, deep and resonant, causing his stomach to flutter again.
Fjóla laughed, and it was like a tinkling of bells once more.  "See, school boy--I know something you don't know."
Leif grabbed at her arm, but she danced out of his reach.  "What is it?  Tell me."
"Maybe later--if you're lucky."  She shot him another smile and then dashed off, still laughing.
Leif started after her, but the mist was lifting and he'd been gone from the dormitory for a while.  "I'll find you!" he shouted at her retreating back.  "And you'll tell me then!"
"Good luck!" came her reply carried on the wind.  Then she was gone.
Leif kicked at a loose rock along the river bank.  What a strange girl, he thought.  Nothing like this ever happened to him back in Hawkdale.  On his uncle's farm, he could go an entire week without seeing anyone besides Uncle Magnús, the horse Blesi, the dog Æska, the cow, and the sheep. Here in only half a day Leif had already met a dozen other boys, a creepy headmaster, and two girls.  Neither of the girls seemed very nice, but between Ragnar's sister, Inga, and the strange girl, Fjóla, Leif would much rather see Fjóla again.  Just to find out about Galdurheim, he told himself.
Leif felt how hungry he was now, and he turned back toward town hoping it might be time for breakfast.  The mist continued to lift, baked away by the rising sun, now at his back.  Snow Mountain lay directly ahead of him, and this close to the mountain's slopes it dominated the entire western horizon. But it wasn't the awe-inspiring sight of the mountain or its glacial cap that caused Leif's jaw to drop.  It was what he saw in the middle of the river.  What he'd walked right past in the mist without even realizing.  What he'd thought he'd seen from the steamwalk, what he'd thought was a small forest.
A single, massive tree.
It rose from the middle of the river.  No, that wasn't quite right, Leif realized as he drew closer.  The river split around the tree.  Its trunk had to be at least sixty feet wide, maybe more.  It stretched a hundred feet, two hundred feet into the air, and its canopy spread over much of the river.  Other than the mountains, it was the single largest thing Leif had ever seen in his life. He'd seen cows, and seals, and minke whales, and walruses, and once even a humpback whale breaching the waves.  But this was bigger than any of those, much, much bigger.
And that wasn't the strangest thing about it.  There were odd lines that crisscrossed the massive trunk, and lights dotting it and several of the enormous branches.  Leif drew up next to the school's dock and boathouse without realizing it.  He had eyes only for the tree.
Now, across sixty feet of river, he could see that the lines crisscrossing the trunk were stairs and walkways, even entire rooms that had been lashed onto the boughs.  The lights were windows, some of them carved through the trunk itself!  And most bewildering of all were the pipes that stuck at every angle from all over the tree: Long, thin pipes, and short, fat pipes; hooded pipes, straight pipes, curved pipes, and zigzag pipes; red pipes, silver pipes, rusted pipes, and pipes wrapped in cloth.  A hundred pipes--more!--and all of them ejecting steam: some of them puffed only a little, in evanescent wisps, while others blasted steam in great gusts.  From afar, the tree looked like it was on fire, there was so much steam coming from it.
"Impressive, no?" said a dry voice, startling Leif.  He jumped around to find Headmaster Grímur in his customary black suit.  The headmaster indicated the large tree, and Leif gratefully turned back to stare at it.  "This is our school, Leifur.  This is your school now.  What do you think?"
"It's--it's... amazing."
"Yes it is.  Amazing, and more."
"How--what--where do we...?"
Grímur smiled.  "As you said, it is an amazing tree.  It has many wonderful properties.  But there will be time enough to see it later.  I will take the first years on a brief tour before the day's first class.  For now, run along back to the dormitory.  You won't want to miss breakfast."
"Yes, Headmaster," Leif said, but he was rooted to the spot, still staring at the tree.  He felt a hand on his shoulder, pushing him none too gently away.
"Run along, Leifur."
"Yes, Headmaster," he repeated, his daze broken.  "Sorry, Headmaster."  He took off at a run, afraid if he walked he'd be mesmerized by the tree once more.
"Eat well, young Leifur," Headmaster Grímur called after him.  "Growing minds need nourishment.  And you have a lot of growing to do."
Leif continued running until he hit the dormitory door.  He opened it and was hit by a wave of warm air, the sound of dozens of boys eating, and the smell of freshly baked bread.
"Out for a walk?" a small voice asked, and Leif was surprised to find Jens standing in the hallway to the bunk room.
"Couldn't sleep," he admitted.
"Today is a big day," Jens said quietly to the floor.
"Yeah, I guess it is," Leif replied.
"What were you doing out there?"
"Like you said, just out for a walk."  Leif noticed that Jens's boots were tied, and wet with dew.  A blade of grass stuck to his laces.
"I'd stick close to the school, if I were you.  You never know who you might run into.  Or who might be watching."
With that, Jens disappeared back into the bunk room.  Leif wanted to follow him and ask what he meant, but the smell of bread and the sounds of people eating were too much for him.  It had been nearly a full day since he'd last eaten, so he decided to ask Jens about it later.
He stumbled into the eating hall, still out of breath, to find all the students--not just first and second years, but the third, fourth, fifth, and sixth years as well--eating noisily.
"Hey Leif," Árni shouted above the hubbub.  He waved Leif over.  "Better eat quick before Ólaf finishes everything."
"Me?" Ólaf asked.  "I'm just trying to get half as much as you so I don't starve before you inhale it all."
Leif sat down between Gunnar and Steinn, his fellow first years.  Ragnar sat across from him, wearing his coat and a woolen cap, glistening faintly with morning dew.  When he saw Leif he pulled the cap off, stuffed it in his coat pocket, and turned his attention fully onto his breakfast.
Leif tore off a large chunk of bread, and heaped his bowl full of skyr.  He poured fresh cream over the skyr and then--and his eyes dropped open now--fresh bilberries and crowberries to top it off.  There was strong coffee, and more cream, and little cubes of sugar to suck while they drank.
"What do you think?" Árni asked, his mouth full of hot bread.
Leif took a big bite of skyr and cream and berries.  "I think I'm going to like it here."